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Shakespeare Sonnet 54: ‘O! how much more doth beauty beauteous seem’

By: Feature Writer Linda Sue Grimes

William Blake Quotes: Permeating a Culture Leads to Misattribution and Ignorance

By: Simon August Thalmann

Shakespeare Sonnet 53: ‘What is your substance, whereof are you made’

By: Feature Writer Linda Sue Grimes

Robert Graves' 'Not Dead': Resurrecting Soul Qualities

By: Feature Writer Linda Sue Grimes

Laurence Binyon's 'For the Fallen': Dying for Freedom

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 52: ‘So am I as the rich, whose blessed key’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 51: ‘Thus can my love excuse the slow offence’

By: Feature Writer Linda Sue Grimes

Oscar Wilde's 'To My Wife': A Pretty Note

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 50: ‘How heavy do I journey on the way’

By: Feature Writer Linda Sue Grimes

Wordsworth's 'The Idiot Boy': An Innovative Ballad

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 49: ‘Against that time, if ever that time come’

By: Feature Writer Linda Sue Grimes

Davies' 'Leisure': No Time to Stand and Stare

By: Feature Writer Linda Sue Grimes

Betjeman's 'Westgate-On-Sea': Measured Encumbrances

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 48: ‘How careful was I when I took my way’

By: Feature Writer Linda Sue Grimes

Lord Tennyson's Idylls of the King: Twelve Narrative Poems of Arthurian Legends

By: Mary Hiers

'On the Death of Anne Brontë': A Poem by Charlotte Brontë

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 47: Betwixt mine eye and heart a league is took

By: Feature Writer Linda Sue Grimes

February Poet – W. H. Auden: ‘Funeral Blues’

By: Feature Writer Linda Sue Grimes

Herrick’s ‘To the Virgins’: Carpe Diem and Rosebuds

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 46: 'Mine eye and heart are at a mortal war'

By: Feature Writer Linda Sue Grimes

Elizabeth Rowe: Poet, Scholar and Author

By: Stephen Owen

Shakespeare Sonnet 45: ‘The other two, slight air and purging fire’

By: Feature Writer Linda Sue Grimes

Milton’s Blindness: ‘When I consider how my light is spent’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 44: ‘If the dull substance of my flesh were thought’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 43: ‘When most I wink, then do mine eyes best see’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 42: ‘That thou hast her, it is not all my grief’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 41: ‘Those pretty wrongs that liberty commits’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 40: ‘Take all my loves, my love, yea, take them all’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 39: 'O! how thy worth with manners may I sing'

By: Feature Writer Linda Sue Grimes

Voice in T.S. Eliot’s Prufrock: A Character’s Unique Voice Offers Alternate Views of a Given Work

By: Christopher H Williams

Keats: Ode on Indolence: The Poem Draws a Distinction between Poetry and Indolence.

By: George Conrad Gould

Religion in Beowulf: Paganism And Evil Linked in Early Poem

By: George Conrad Gould

Shakespeare Sonnet 38: 'How can my Muse want subject to invent'

By: Feature Writer Linda Sue Grimes

Keats in Winter: “In a drear-nighted December”

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 37: “As a decrepit father takes delight”

By: Feature Writer Linda Sue Grimes

‘Patience Taught By Nature’: Barrett Browning’s Petrarchan Sonnet

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 96: ‘Some say thy fault is youth, some wantonness'

By: Feature Writer Linda Sue Grimes

Two Children’s Poems: Conflicting Messages

By: Feature Writer Linda Sue Grimes

Rossetti's The Convent Threshold: Poetry of Love and Sacrifice--A Feminist Reading

By: Moira Li-Lynn Ong

Shakespeare Sonnet 36: ‘Let me confess that we two must be twain’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 35: ‘No more be griev’d at that which thou hast done’

By: Feature Writer Linda Sue Grimes

A Sicilian Snake: A Snake Drinks at a Trough in Front of Author, D. H. Lawrence

By: George Conrad Gould

Betjeman's 'Christmas': A Doubter Tackles Tradition and History

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 34: ‘Why didst thou promise such a beauteous day’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 33: 'Full many a glorious morning have I seen'

By: Feature Writer Linda Sue Grimes

Willilam Blake’s ‘A Poison Tree’: A Killing Metaphor

By: Feature Writer Linda Sue Grimes

Wordsworth’s ‘Michael’: Nature and Morality

By: Feature Writer Linda Sue Grimes

Housman’s Sage Advice: ‘When I was one-and-twenty’

By: Feature Writer Linda Sue Grimes

Kipling’s 'Helen All Alone': Confronting Temptation

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 32: ‘If thou survive my well-contented day’

By: Feature Writer Linda Sue Grimes

Matthew Arnold’s ‘Dover Beach’: The Virtue of Truth

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 31: ‘Thy bosom is endeared with all hearts’

By: Feature Writer Linda Sue Grimes

Browning’s ‘My Last Duchess’: Egotism, Mystery, Few Poetic Devices

By: Feature Writer Linda Sue Grimes

Housman’s ‘Is my team ploughing’: A Guilty Conscience

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 73: ‘That time of year thou mayst in me behold’

By: Feature Writer Linda Sue Grimes

The Canonization - Stanzas 4 & 5: Immortality Through Art in Donne's Love Poem

By: Feature Writer Jem Bloomfield

Shakespeare Sonnet 30: ‘When to the sessions of sweet silent thought’

By: Feature Writer Linda Sue Grimes

The Canonization - Stanzas 1 & 2: Rhetorical Technique and Petrarchan Conceits in John Donne's Poem

By: Feature Writer Jem Bloomfield

Keats’ 'Ode to Autumn': A Celebration of Beauty

By: Feature Writer Linda Sue Grimes

Death Be Not Proud by John Donne: An Analysis of Donne's Divine Sonnet X

By: Feature Writer Jem Bloomfield

At Grass by Philip Larkin: Melancholy, Artifice and Guilt in Larkin's Depiction of Horses

By: Feature Writer Jem Bloomfield

John Donne's Divine Sonnet VII: At The Round Earth's Imagined Corners...

By: Feature Writer Jem Bloomfield

The Sun Rising by John Donne: Poetic Technique and Effect in Donne's Famous Love Poem

By: Feature Writer Jem Bloomfield

To His Coy Mistress vs The Flea: Andrew Marvell's Seduction Poem Compared with John Donne's.

By: Feature Writer Jem Bloomfield

Yeats’ ‘The Second Coming’: Visions of a Rough Beast

By: Feature Writer Linda Sue Grimes

Maiden Name by Philip Larkin: Larkin's Meditation on Identity, Memory and Language.

By: Feature Writer Jem Bloomfield

The Flea by John Donne: Donne's Witty and Argumentative Love Poem

By: Feature Writer Jem Bloomfield

Religious Language in The Flea: John Donne's Daring Use of Religious Elements in an Amorous Poem

By: Feature Writer Jem Bloomfield

Annus Mirabilis by Philip Larkin: Irony, Sex and Poetic Form in Larkin's Paen To The Sixties

By: Feature Writer Jem Bloomfield

Shakespeare's Sonnet No. 130: My Mistress' Eyes Are Nothing Like The Sun...

By: Feature Writer Jem Bloomfield

Shakespeare's Sonnet No.4: "Unthrifty Loveliness, Why Dost Thou Spend..."

By: Feature Writer Jem Bloomfield

This Be The Verse by Philip Larkin: Poetic Technique and Meaning in Larkin's Controversial Poem

By: Feature Writer Jem Bloomfield

Shakespeare Sonnet 29: ‘When in disgrace with fortune and men’s eyes’

By: Feature Writer Linda Sue Grimes

Philip Larkin's 'Here': A Beacon of Loneliness

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 28: ‘How can I then return in happy plight’

By: Feature Writer Linda Sue Grimes

De Vere’s Love Poem: ‘Whenas the heart at tennis plays, and men to gaming fall’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 27: Weary with toil, I haste me to my bed

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 26: ‘Lord of my love, to whom in vassalage’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 25: ‘Let those who are in favour with their stars’

By: Feature Writer Linda Sue Grimes

Sad Steps by Philip Larkin: Balancing Poetic Voices

By: Feature Writer Jem Bloomfield

Shakespeare Sonnet 24: Mine eye hath play’d the painter and hath stell’d

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 23: ‘As an unperfect actor on the stage’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 22: ‘My glass shall not persuade me I am old’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet No.18: Shall I Compare Thee To A Summer's Day

By: Feature Writer Jem Bloomfield

Shakespeare Sonnet 21: ‘So is it not with me as with that Muse’

By: Feature Writer Linda Sue Grimes

William Blake’s ‘The Schoolboy’: Learning in a Cage

By: Feature Writer Linda Sue Grimes

The Second Coming, by W.B. Yeats: A Glimpse into the Apocalypse

By: Maria Luisa Antonaya

Shakespeare Sonnet 20: ‘A woman’s face with Nature’s own hand painted’

By: Feature Writer Linda Sue Grimes

Owen’s ‘Dulce et Decorum Est’: War is Hell

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 17: ‘Who will believe my verse in time to come’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 138: ‘When my love swears that she is made of truth’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 16: ‘But wherefore do not you a mightier way’

By: Feature Writer Linda Sue Grimes

Wordsworth's Romantic Cry: 'The world is too much with us'

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 15: ‘When I consider every thing that grows’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 14: ‘Not from the stars do I my judgment pluck’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 13: ‘O! That you were yourself; but, love, you are’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 12: ‘When I do count the clock that tells the time’

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 11: ‘As fast as thou shalt wane, so fast thou grow’st’

By: Feature Writer Linda Sue Grimes

Lewis Carroll’s ‘Jabberwocky’: Sense and Nonsense

By: Feature Writer Linda Sue Grimes

Shakespeare Sonnet 10: ‘For shame! deny that thou bear’st love to any’

By: Feature Writer Linda Sue Grimes

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